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The History of Science Fiction : A Graphic Novel Adventure
Journey through time and space with this graphic novel history of the science fiction genre, from Jules Verne, Jonathan Swift, and Mary Shelley to William Gibson and Philip K.Dick to Ken Liu and Ted Chiang, and beyond. Trace the progress of SF through modern times and learn why key figures and inventors like Thomas Edison have looked to science fiction to predict the future. For the first time in illustrated form, this comprehensive history of science fiction traces its origins and, in fascinating detail, charts its history from its beginnings as a “schlock” genre to its respected status today.Join author/historian Xavier Dollo and artist Djibril Morissette-Phan (All-New Wolverine, X-Men: Gold, Star-Lord) in their visual journey into the expansive universe of science fiction. Who is considered the world’s first science fiction author?How did American science fiction begin? What sci-fi novel is the alltime best-seller? What were the “Pulps” and how did they predict with uncanny accuracy the 21st century world around us? The answers are here, along with detailed chapters dedicated to the founders of the genre and their modern-day successors. Discover the origins of your favorite page-to-screen science fiction movies.Marvel at the behind-the-scenes stories of some of literature’s most imaginative writers.Find out why science fiction so effortlessly captures our imaginations and makes us dream of new worlds. Far more than just a list of facts, The History of Science Fiction is a roaring analytical reflection on the genre that continues to shape our world, presented in a stunning 8” x 11” hardcover sure to stand out on any bookshelf or serve as the coffee-table conversation starter for all things sci-fi!
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A History of Canadian Fiction
A History of Canadian Fiction is the first one-volume history to chart its development from earliest times to the present day.Recounting the struggles and the glories of this burgeoning area of investigation, it explains Canada's literary growth alongside its remarkable history.Highlighting the people who have shaped and are shaping Canadian literary culture, the book examines such major figures as Mavis Gallant, Mordecai Richler, Alice Munro, Margaret Atwood, Michael Ondaatje, and Thomas King, concluding with young authors of today whose major successes reflect their indebtedness to their Canadian forbearers.
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Georgette Heyer, History and Historical Fiction
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Postmodern Vampires : Film, Fiction, and Popular Culture
Postmodern Vampires: Film, Fiction, and Popular Culture is the first major study to focus on American cultural history from the vampire’s point of view.Beginning in 1968, Ní Fhlainn argues that vampires move from the margins to the centre of popular culture as representatives of the anxieties and aspirations of their age.Mapping their literary and screen evolution on to the American Presidency, from Richard Nixon to Donald Trump, this essential critical study chronicles the vampire’s blood-ties to distinct socio-political movements and cultural decades in the late twentieth and early twenty-first centuries.Through case studies of key texts, including Interview with the Vampire, The Lost Boys, Blade, Twilight, Let Me In, True Blood and numerous adaptations of Dracula, this book reveals how vampires continue to be exemplary barometers of political and historical change in the American imagination.It is essential reading for scholars and students in Gothic and Horror Studies, Film Studies, and American Studies, and for anyone interested in the articulate undead.
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Is the Bible a non-fiction book or a fiction?
The Bible is generally considered a non-fiction book by those who adhere to the religious beliefs it represents. It is a collection of religious texts and scriptures that are considered to be the word of God by many Christians and Jews. However, some people may view certain parts of the Bible as allegorical or metaphorical, leading to differing interpretations of its factual accuracy. Ultimately, the classification of the Bible as non-fiction or fiction depends on an individual's religious beliefs and perspective.
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Who likes non-fiction books?
Many people enjoy reading non-fiction books, including those who are interested in learning about real events, historical figures, scientific discoveries, or self-improvement. Non-fiction books appeal to readers who are curious about the world around them and want to gain knowledge and insights from factual information. Additionally, students, researchers, and professionals often seek out non-fiction books to deepen their understanding of specific subjects or to stay informed about current events and trends.
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Are non-fiction books literature?
Non-fiction books can be considered literature because they are written works that convey information, ideas, and perspectives in a creative and artistic way. While they may not be works of fiction, non-fiction books still require skillful writing, research, and storytelling to engage readers and provoke thought. Many non-fiction books are highly regarded for their literary merit and impact on society, making them an important part of the literary landscape.
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Is 1984 fiction or reality?
"1984" is a work of fiction written by George Orwell, but it contains elements that are reflective of reality. The novel explores themes of government surveillance, propaganda, and the manipulation of truth, which are relevant to real-world political and social issues. While the specific events and characters in the book are fictional, the underlying themes and warnings about the dangers of totalitarianism and authoritarianism are rooted in real-world concerns. Therefore, "1984" can be seen as a work of fiction that reflects certain aspects of reality.
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Pinocchio by Carlo Collodi, Fiction, Action & Adventure
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Astral Configurations: An Heroic Science Fiction Adventure
Kevin Winters always wanted to be a meta-hero. He accepts an offer to bring out latent psionic powers by Psionix Incorporated. They succeed with one big side effect. Kevin escapes and seeks out the help of Mr. Thadeus Hero and the Fifty American Heroes. Follow Kevins Journey to become the heroine Astra.
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A Critical History of Contemporary Chinese Fiction
This book studies the history of contemporary Chinese fiction criticism, highlighting the role of critics in shaping contemporary literary history. The author divides the history of contemporary Chinese fiction criticism into three periods: 1949–1976, 1977–1991, and 1992–2015.The first period saw the emergence of the circle of critics who insisted on judging literary works by political standards.The second period brought the rise of the Beijing Critics’ Circle and the Shanghai Critics' Circle.The former advocated “artistic standards” in judging works, while the latter introduced contemporary Western literary theories into literary criticism.The third period marked the emergence of “Scholarly Criticism”, “Criticism of Women’s Fiction”, and “Post-1960s Fiction Criticism”, reflecting critics’ attitudes towards history and philosophy.Drawing on historical materials, this study illuminates contemporary literary trends and the contributions of key writers and critics.It also relates literary criticism to the social environment, underlining the simultaneous relationship between contemporary fiction criticism and social ideology. This book will be invaluable to scholars and students of Chinese literature and literary criticism, especially those interested in the diverse landscape of contemporary Chinese culture.
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A Poetics of Postmodernism : History, Theory, Fiction
First published in 1988. Postmodernism is a word much used and misused in a variety of disciplines, including literature, visual arts, film, architecture, literary theory, history, and philosophy.A Poetics of Postmodernism is neither a defense nor a denunciation of the postmodern.It continues the project of Hutcheon's Narcissistic Narrative and A Theory of Parody in studying formal self-consciousness in art, but adds to this both a historical and ideological dimension.Modelled on postmodern architecture, postmodernism is the name given here to current cultural practices characterized by major paradoxes of form and of ideology.The poetics of postmodernism offered here is drawn from these contradictions, as seen in the intersecting concerns of both contemporary theory and cultural practice.
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Can you explain Pulp Fiction?
Pulp Fiction is a nonlinear crime film directed by Quentin Tarantino. The movie follows several interconnected storylines involving two hitmen, a boxer, a mob boss, and a mysterious briefcase. The film is known for its non-linear narrative, witty dialogue, and eclectic soundtrack. Pulp Fiction is often praised for its unique storytelling and memorable characters, and it has become a cult classic in the crime genre.
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Who knows this science fiction film?
Fans of science fiction films and enthusiasts of the genre are likely to know this particular science fiction film. Additionally, those who follow the work of the director, actors, or production company associated with the film may also be familiar with it. Furthermore, individuals who have a general interest in popular culture and cinema may have come across this science fiction film through various media channels.
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What are great non-fiction books?
Great non-fiction books are those that provide valuable and well-researched information on a specific topic, while also engaging and captivating the reader. They can cover a wide range of subjects, from history and science to personal development and memoirs. Some examples of great non-fiction books include "Sapiens: A Brief History of Humankind" by Yuval Noah Harari, "The Immortal Life of Henrietta Lacks" by Rebecca Skloot, and "Quiet: The Power of Introverts in a World That Can't Stop Talking" by Susan Cain. These books offer insightful perspectives, compelling storytelling, and thought-provoking analysis, making them stand out in the non-fiction genre.
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Why don't women like science fiction?
The assumption that women don't like science fiction is a stereotype and not necessarily true. Many women enjoy science fiction just as much as men do. However, historically, science fiction has been dominated by male authors and has often portrayed women in stereotypical or marginalized roles. This lack of representation and diversity within the genre may have contributed to the perception that women don't like science fiction. As the genre becomes more inclusive and diverse, more women are finding and enjoying science fiction.
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