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  • Fictional Father
    Fictional Father

    A dysfunctional family lives in the shadow of a world famous comic strip and its tyrannical creator. Caleb is a middle-aged painter with a non-starter career.He also happens to be the only child of one of the world s most famous cartoonists, Jimmi Wyatt.Known for the internationally beloved father and son comic Sonny Side Up, Jimmi made millions drawing saccharine family stories while neglecting his own son. Now sober, Caleb is haunted by his wasted past and struggling to take responsibility for his present before it s too late.His always patient boyfriend, James, is reaching the end of his rope.When Caleb gets the chance to step out from his father s shadow and shape the most public aspect of the family business, he makes every bad decision and watches his life fall apart.Is it too late to repair the harm? Are we forever doomed to make the same mistakes our parents did? Joe Ollmann is a master at portraying inner torment.His characters vacillate and sob and rage. His furrow browed and deeply-lined cartooning has never been more expressive than in Fictional Father.Caleb storms around and slumps in equal measure as he tries to figure out who he is beyond the neglected son of a famous man.In addition to being a devastating portrait of the Wyatt family, Fictional Father is a hilariously sardonic interrogation of artmaking and cartooning in particular.

    Price: 21.00 £ | Shipping*: 3.99 £
  • Reading Fictional Languages
    Reading Fictional Languages

    Reading Fictional Languages brings together scholars, creators, designers and speakers of fictional languages from across the world in a unique book that explores the imagined languages of fantasy, science fiction, dystopia and alternate realities.It explores the role of invented languages in world-building, characterisation, and the feeling of authentic immersion in the forms of thought of aliens, animals, machines, and the people who inhabit alternative worlds from our own.

    Price: 85.00 £ | Shipping*: 0.00 £
  • The Fictional Man
    The Fictional Man

    “What’s it like, not being real?”In LA, where today’s star is tomorrow’s busboy, discarded “Fictionals”—characters spun into flesh-and-blood by technology—are everywhere.Screenwriter Niles Golan’s therapist is a Fictional.So is his best friend. So (maybe) is the woman in the bar he can’t stop staring at.It’s getting so you can’t tell who’s real and who’s not. Niles isn’t completely sure how real he is…

    Price: 8.99 £ | Shipping*: 3.99 £
  • Costanza : 'Striking fictional retelling of this true history' – Sunday Times
    Costanza : 'Striking fictional retelling of this true history' – Sunday Times

    'In Blackmore's striking fictional retelling of this true history, Costanza refuses to accept a fate as nothing more than a victim of male exploitation' SUNDAY TIMES, BEST HISTORICAL FICTION'Emotionally intense' DAILY MAIL'A stunning, visceral portrait of a woman and her life and a story as relevant now as it was then.I was gripped' JENNIE GODFREY'Wonderful... This novel took over my life for the time I was buried in it.Powerful and deeply affecting' PATERSON JOSEPHRome, 1636: In the scorched city of Rome, the cobbled streets hum with gossip and sin... Costanza Piccolomini is a respectable young wife - until she meets Gianlorenzo Bernini, the famed sculptor and star of Roman society, whose jet-black gaze matches his dark temper.From the second they set eyes upon each other, a fatal attraction is born. Their secret love burns with a passion that consumes them.But with every stolen kiss and illicit tryst, Costanza's reputation is at stake.Meanwhile, Bernini has a dangerous desire: he wants to make Costanza immortal.He vows to possess her not just in body and soul, but also in marble. When Bernini unveils his sculpture of Costanza, she is exposed as his lover, marking the undoing of their affair - and the beginning of a scandal which will rock Roman society.For Bernini would rather destroy Costanza than let her go. Betrayed. Abandoned. Banished. This was meant to be the end of Costanza's story. But Costanza is no ordinary woman: from the ashes, she will rise... History calls her a Muse. Temptress. Fallen woman. This is her story. Costanza is a dizzying, sensual novel that brings to life a feminist icon who has been written out of history.This utterly addictive tale of desire and betrayal is perfect for fans of The Marriage Portrait and The Miniaturist. 'I loved it... Rich and evocative in its portrayal of 17th Century Rome.A fabulous, evocative novel' Elizabeth Chadwick'From the first page I was hooked.Love, lust, fury and betrayal leap from the page. This is a must-read for anyone who wants to read a true feminist retelling' Louise Hare, author of This Lovely City'This has to be my book of the year!Full of passion and desire... A story of the resilience of women in the face of male power' Sheila O'Flanagan, author of The Honeymoon Affair'A gorgeous tale of female resilience steeped in the glamour and danger of renaissance-era Rome.Blackmore restores the lively Costanza from a footnote in Bernini's story to the heroine of her own' Luna McNamara, author of Psyche and Eros'A revelation...A splendid debut - brava! And a super summer read' Ellen Alpsten, author of Tsarina'Sumptuous, immersive and bold, Costanza breathes life into a woman frozen in marble for three hundred years, finally giving her a chance to speak...Costanza is both a cathartic cry and a clarion call for justice for generations of forgotten women' Hesse Phillips, author of Lightborne'I was mesmerised by Costanza, a searing, fierce tale of obsession, revenge, and resilience.An unforgettable debut novel' Naomi Kelsey, author of The Burnings'I sat up into the early hours, unable to drag myself away from Costanza - what a joy!Rachel Blackmore rescues Costanza, wronged and defiant, from the shadows of history' Karen Powell, author of Fifteen Wild Decembers'Like all the best writers of historical fiction, Blackmore uses her examination of the past to shed light on the present day, in this searing indictment of the treatment and objectification of women.Meticulously researched, atmospheric and beautifully observed, this is a heartbreaking but ultimately triumphant story of one woman's determination to follow her own path' Bridget Walsh, author of The Innocents'A shocking story.Deeply felt... Quite apart from anything else, I will look at Bernini in a new light' Elizabeth Buchan, author of The Museum of Broken Promises'Costanza is such a stunner of a novel - still thinking about it and I've been recommending it to everyone!Get it on your summer reading lists, people!!' Penelope Slocombe, author of Sunbirds'A stunning read - very powerful.The writing is so beautiful and the historical detail mesmerising' Nicola Cornick, author of The Forgotten Sister

    Price: 20.00 £ | Shipping*: 3.99 £
  • Is the short story fictional or non-fictional?

    The short story is fictional. It is a work of fiction that tells a made-up story, often involving characters, events, and settings that are not real. Fictional stories are created by the author's imagination and are not based on real events or people.

  • What is the difference between fictional and non-fictional texts?

    Fictional texts are narratives that are created from the author's imagination and are not based on real events or people. They often include elements of storytelling, such as characters, plot, and setting. Non-fictional texts, on the other hand, are based on real events, people, and information. They are meant to inform or educate the reader about a particular topic, and are often written in a more straightforward and factual style. Overall, the key difference between the two is that fictional texts are made-up stories, while non-fictional texts are based on real-life events and information.

  • What are fictional places?

    Fictional places are locations that are created within works of fiction, such as books, movies, or television shows. These places do not exist in the real world, but are imagined by the author or creator of the work. They can range from fantastical realms like Narnia or Middle-earth to more realistic settings like the town of Maycomb in "To Kill a Mockingbird." Fictional places serve as the backdrop for the story and often play a significant role in shaping the narrative and the characters' experiences.

  • What are fictional elements?

    Fictional elements are the imaginative and made-up components that contribute to the creation of a fictional story or world. These elements can include characters, settings, events, and objects that do not exist in reality but are essential to the narrative. Fictional elements allow authors to create unique and captivating stories that transport readers to new and fantastical worlds. They are a key aspect of fiction and play a crucial role in engaging the audience and bringing the story to life.

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  • Costanza : 'Striking fictional retelling of this true history' – Sunday Times
    Costanza : 'Striking fictional retelling of this true history' – Sunday Times


    Price: 9.99 £ | Shipping*: 3.99 £
  • Vision Fictional Superhero Ceramic Mug
    Vision Fictional Superhero Ceramic Mug

    Ceramic mug with quality printing. - Matter : ceramic - Color : white - Standard size : capacity of 30cl, height of 9.5 cm, width of 8 cm - Use : dishwasher and microwave safe The seller confirms that its products comply with all applicable laws and are only offered if they comply with Joom policies and European laws on product safety and conformity.

    Price: 23.19 € | Shipping*: 0.0 €
  • Fictional Travel Poster - 12 Postcard Set
    Fictional Travel Poster - 12 Postcard Set

    A set of twelve postcards inspired by vintage travel posters with iconicliterary locations.There will be 2 of each design in a set. A6 in size withthe back of each card set out to a standard postcard design.Made with 300gsmwhite textured stock.

    Price: 8.99 £ | Shipping*: 3.99 £
  • Red Squared Montreal : A Fictional Chronicle
    Red Squared Montreal : A Fictional Chronicle


    Price: 16.00 £ | Shipping*: 3.99 £
  • What are some name ideas for a fictional country and a fictional city?

    For a fictional country, some name ideas could be "Aurora" to evoke a sense of beauty and wonder, "Veridian" to convey a lush, green landscape, or "Novaria" to suggest a new and innovative society. For a fictional city, names like "Elysium" could imply a paradise-like setting, "Havenbrook" to suggest a safe and welcoming community, or "Aurelia" to convey a sense of prosperity and golden opportunities. These names can help set the tone and atmosphere for the fictional world you are creating.

  • What is a fictional cult?

    A fictional cult is a group of individuals who follow a set of beliefs, practices, or rituals that are often extreme or unconventional. These cults are created by authors, filmmakers, or other creators as part of a fictional story or world. They can serve as a plot device to explore themes of power, control, manipulation, or the dangers of blind faith. Fictional cults can range from secretive organizations with sinister motives to groups that genuinely believe in their cause but may be misguided or harmful.

  • What is a fictional interview?

    A fictional interview is a written or scripted conversation between a fictional character and an interviewer. It is a creative way for authors to develop their characters and provide insight into their thoughts, feelings, and motivations. Fictional interviews can be used to deepen the understanding of a character's backstory, personality, and experiences, and can also be a fun and engaging way for readers to connect with the characters in a story.

  • What is a fictional dialogue?

    A fictional dialogue is a conversation between two or more characters in a work of fiction, such as a novel, play, or film. It is a literary device used to develop characters, advance the plot, and convey information to the reader or audience. Fictional dialogues can be used to reveal the thoughts, feelings, and motivations of the characters, as well as to create tension, humor, or conflict within the story. Writers use fictional dialogues to bring their characters to life and to engage the reader in the narrative.

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