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The Art of Japanese Architecture : History / Culture / Design
The Art of Japanese Architecture presents a complete overview of Japanese architecture in its historical and cultural context.The book begins with a discussion of early prehistoric dwellings and concludes with a description of works by important modern Japanese architects.Along the way it discusses the iconic buildings and architectural styles for which Japan is so justly famous—from elegant Shinden and Sukiya aristocratic villas like the Kinkakuji "Golden Pavilion" in Kyoto, to imposing Samurai castles like Himeji and Matsumoto, and tranquil Zen Buddhist gardens and tea houses to rural Minka thatched-roof farmhouses and Shinto shrines.Each period in the development of Japan's architecture is described in detail and the most important structures are shown and discussed—including dozens of UNESCO World Heritage Sites.The aesthetic trends in each period are presented within the context of Japanese society at the time, providing a unique in-depth understanding of the way Japanese architectural styles and buildings have developed over time and the great variety that is visible today. The book is profusely illustrated with hundreds of hand-drawn 3D watercolor illustrations and color photos as well as prints, maps and diagrams.The new edition features dozens of new photographs and a handy hardcover format that is perfect for travelers.
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Public Humanities in Architecture : Reflections on Heritage, Culture, and History
Anyone concerned with the history, tradition, and culture of our built environment will sooner or later come across the term ‘Public Humanities’.At the interface between an academic discipline and the media-oriented culture industry, Public Humanities is established as a field of inquiry in the US and is increasingly becoming so in Europe too. Whether this field of research remains a product of Western culture will only become apparent in the coming years.However, linking architectural debate with the humanities is an important concern of the papers collected here. These essays on architectural theory provide academic food for thought while encouraging reflection on the discipline of architecture and stimulating urban design in the twenty-first century.The lectures collected here are from a class on Public Humanities at Brown University.
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Shoplifter! : New Retail Architecture and Brand Spaces
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Formulations : Architecture, Mathematics, Culture
An investigation of mathematics as it was drawn, encoded, imagined, and interpreted by architects on the eve of digitization in the mid-twentieth century. In Formulations, Andrew Witt examines the visual, methodological, and cultural intersections between architecture and mathematics.The linkages Witt explores involve not the mystic transcendence of numbers invoked throughout architectural history, but rather architecture’s encounters with a range of calculational systems—techniques that architects inventively retooled for design.Witt offers a catalog of mid-twentieth-century practices of mathematical drawing and calculation in design that preceded and anticipated digitization as well as an account of the formal compendia that became a cultural currency shared between modern mathematicians and modern architects. Witt presents a series of extensively illustrated “biographies of method”—episodes that chart the myriad ways in which mathematics, particularly the mathematical notion of modeling and drawing, was spliced into the creative practice of design.These include early drawing machines that mechanized curvature; the incorporation of geometric maquettes—“theorems made flesh”—into the toolbox of design; the virtualization of buildings and landscapes through surveyed triangulation and photogrammetry; formal and functional topology; stereoscopic drawing; the economic implications of cubic matrices; and a strange synthesis of the technological, mineral, and biological: crystallographic design. Trained in both architecture and mathematics, Witt uses mathematics as a lens through which to understand the relationship between architecture and a much broader set of sciences and visual techniques.Through an intercultural exchange with other disciplines, he argues, architecture adapted not only the shapes and surfaces of mathematics but also its values and epistemic ideals.
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Is the brand Boss a luxury brand or rather a budget brand?
Boss is considered a luxury brand. It is known for its high-quality, premium products and is positioned in the higher end of the market. The brand is associated with sophistication, elegance, and luxury, making it a popular choice for those looking for upscale fashion items.
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Is the brand Hollister a good brand?
Hollister is a popular brand known for its casual and trendy clothing targeted towards a younger demographic. The brand has a strong presence in the fashion industry and is well-liked by many consumers for its stylish designs and quality products. However, like any brand, there may be mixed opinions on whether it is considered "good" depending on individual preferences and experiences with the brand. Ultimately, it is important to consider factors such as personal style, budget, and values when determining if Hollister is a good brand for you.
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Which brand is the best supplement brand?
The best supplement brand is subjective and depends on individual needs and preferences. Some popular and well-regarded supplement brands include Thorne Research, Garden of Life, and NOW Foods. It's important to consider factors such as ingredient quality, transparency, and third-party testing when determining the best supplement brand for your specific needs. Additionally, consulting with a healthcare professional or nutritionist can help guide you in selecting the best supplement brand for your health goals.
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Is the brand Amstaff a Nazi brand?
No, the brand Amstaff is not a Nazi brand. Amstaff is a clothing and lifestyle brand that originated in the United States and is not associated with Nazi ideology. The brand's name is derived from "American Staffordshire Terrier," a breed of dog known for its strength and loyalty. While the brand may use imagery and symbols associated with American culture, there is no evidence to suggest that it has any ties to Nazi ideology.
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Architecture and Spatial Culture
Built space supports our daily habits and our membership of communities, organizations, institutions, or social formations.Architecture and Spatial Culture argues that architecture matters because it makes the settings of our life intelligible, so that we can sustain or creatively transform them. As technological and social innovations allow us to overcome spatial constraints to communication, cooperation, and exchange, so the architecture of embodied experience reflects independent cultural choices and human values.The analysis of a wealth of examples, from urban environments to workplaces and museums, shows that built space functions pedagogically, inducing us to specific ways of seeing, understanding, and feeling, and supporting distinct patterns of cooperation and life in common. Architecture and Spatial Culture is about the principles that underpin the design and inhabitation of space.It also serves as an introduction to Space Syntax, a descriptive theory used to model the human functions of layouts.Thus, it addresses architects, students of architecture and all those working in disciplines that engage the design of the built environment and its social effects.
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Goa’s Bom Jesus as Visual Culture : The Basilica’s Architecture, Image, History and Identity
This book chronicles the visual history of the Basilica of Bom Jesus, one of the longest-surviving churches from Goa’s Portuguese colonial era.In the sixteenth century, this baroque church in Old Goa was constructed to house the sacred relics of St.Francis Xavier and is emblematic of Goa Dourada or Golden Goa. Despite their early modern origins, monuments like the Basilica continue to influence visual culture that pertains to Goa.Accordingly, this book uncovers the traces of architectural images of Goa’s sixteenth- and seventeenth-century monuments and conducts a genealogical study of how uses of religious architecture shift over time.Thus, even as the Basilica originally functioned to portray or recall a grand empire by evoking the notion of Goa Dourada, its iconicity has been employed in marking Goa’s difference from the rest of India thereafter.By employing an analysis of historical texts, illustrations, photography, film, and pageantry, this volume demonstrates how the image of the Basilica has been employed to create a discourse on Goan identity.In fact, right from the colonial period, when Goa was heralded as the Rome of the East, to the post-Portuguese period, when Goa became an idyllic destination for leisure tourism, architectural images of Bom Jesus have been central in shaping Goa’s identity. Goa’s Bom Jesus as Visual Culture will be useful to students and educators in the fields of architecture, history, anthropology, sociology, history of architecture, and colonial/postcolonial studies.Finally, the long history of a single monument that the book documents highlights how Goans have been shaping their unique culture.At the same time as Goans imbibed Portuguese and other European influences, they also domesticated and remade such colonial heritage in South Asian fashion and, in turn, contributed to global aesthetics.
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Italian Cuisine : A Cultural History
Italy, the country with a hundred cities and a thousand bell towers, is also the country with a hundred cuisines and a thousand recipes.Its great variety of culinary practices reflects a history long dominated by regionalism and political division, and has led to the common conception of Italian food as a mosaic of regional customs rather than a single tradition.Nonetheless, this magnificent new book demonstrates the development of a distinctive, unified culinary tradition throughout the Italian peninsula. Alberto Capatti and Massimo Montanari uncover a network of culinary customs, food lore, and cooking practices, dating back as far as the Middle Ages, that are identifiably Italian: o Italians used forks 300 years before other Europeans, possibly because they were needed to handle pasta, which is slippery and dangerously hot. o Italians invented the practice of chilling drinks and may have invented ice cream. o Italian culinary practice influenced the rest of Europe to place more emphasis on vegetables and less on meat. o Salad was a distinctive aspect of the Italian meal as early as the sixteenth century. The authors focus on culinary developments in the late medieval, Renaissance, and Baroque eras, aided by a wealth of cookbooks produced throughout the early modern period.They show how Italy's culinary identities emerged over the course of the centuries through an exchange of information and techniques among geographical regions and social classes.Though temporally, spatially, and socially diverse, these cuisines refer to a common experience that can be described as Italian.Thematically organized around key issues in culinary history and beautifully illustrated, Italian Cuisine is a rich history of the ingredients, dishes, techniques, and social customs behind the Italian food we know and love today.
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Luxury Brand and Art Collaborations : Postmodern Consumer Culture
Over the past decades, collaborative initiatives between luxury brands and the art world have been increasing in number and relevance.At first treated as a mere trend or as a marketing stunt, in time luxury-art collaborations have come to be acknowledged as one of the most effective ways luxury brands and artists can position themselves in today’s market, engaging with their clients and audiences.This book sheds light on the socio-cultural valence of luxury-art collaborations.The book explores luxury-art collaborations in the context of postmodern consumption, i.e. as a phenomenon deeply rooted in and emerging from the ways postmodern individuals value and consume objects, contents and ideas.More specifically, the book covers: how collaborations reflect the postmodern condition and liquid consumption practices (hybrid, temporary, hyperreal); the impact of luxury-art collaborations on the evolution of luxury stores and museums, and the emergence of hybrid spaces (art fairs, nomadic exhibitions, pop-up stores) – the temporal features of luxury-art collaborations (shortlived duration and fast-paced tempo) – how luxury-art collaborations reshuffle traditional status dynamics while drawing new boundaries of social distinction based on experience and access – why luxury brands and creatives are redefining their conventional identities, morphing into cultural entities and bricoleurs.The book appeals to a wide range of readers, from academics and students in art business, luxury studies, consumption behaviour, to professionals in the luxury industry and the art world.The book is also relevant to an international readership of non-specialists interested in current social and cultural matters.
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Is the brand Boss a luxury brand or more of a budget brand?
Boss is considered a luxury brand, known for its high-quality and premium products. The brand is known for its sophisticated and elegant designs, targeting a higher-end market. Boss products are typically priced at a premium compared to budget brands, reflecting its luxury positioning in the market.
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Which brand is the best compound bow brand?
Determining the best compound bow brand can be subjective and dependent on individual preferences. However, some popular and highly regarded compound bow brands in the market include Mathews, Hoyt, and Bowtech. These brands are known for their quality craftsmanship, innovative technology, and high performance. Ultimately, the best compound bow brand for you will depend on your specific needs, budget, and shooting style.
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Which brand is the best German car brand?
It is subjective to determine the best German car brand as each brand has its own strengths and appeals to different consumers. However, some of the top German car brands known for their quality, performance, and luxury are Mercedes-Benz, BMW, and Audi. These brands have a long history of producing high-quality vehicles and are highly regarded in the automotive industry. Ultimately, the best German car brand would depend on individual preferences and priorities when it comes to features, design, and driving experience.
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Which brand of eyeglass frames or noname brand?
When choosing between a brand of eyeglass frames and a noname brand, it ultimately depends on your personal preferences and budget. Brand name frames often come with a higher price tag, but they may offer a wider variety of styles, higher quality materials, and a recognizable brand reputation. On the other hand, noname brand frames may be more affordable and still offer good quality, but they may not have the same level of recognition or customer support. Consider your priorities and budget when making your decision.
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